beginning in hello and ending in goodbye

Posted in Family, Health with tags , on December 7, 2009 by cindymariejenkins

Some memories from childhood stick with you.

Brief glimpses of  images stick to your brain lightly and you can’t shake them.

One came back to haunt me recently.

“Hans My Hedgehog.’ Part of Jim Henson’s The Storyteller series.

The picture that is so clear in my head? That of a young bride throwing her husband’s hedgehog coat into the fire after some bad advice.  She knows it is wrong but is compelled to break his enchantment.  That was the wrong way to break his spell.  The point is, she curses her love by going against her instinct and listening to someone else.

That’s how I feel about most marriage advice.

The First Imaginings

Posted in Advocacy, Imagine East Hollywood with tags , , , on November 3, 2009 by cindymariejenkins

Arriving at the Cahuenga Public Library right on time at 3:30pm, Imagine East Hollywood: Autobiography of a City officially began.  Although our volunteers are numerous, this first day became my private testing ground.

I keep thinking back to Svetlana Alexievich, the journalist responsible for Voices From Chernobyl, and the obstacles she faced.  She had to contend with fear, with ten years of silence, people not knowing what they could or would say.  Incredible obstacles.  Questions about who she was working for?  What did she want from the people?

I ran into that a little bit today.  I had to gauge when to bring up the East Hollywood Neighborhood Council : some people enjoy the idea that I am a bridge to their neighborhood council.  Some were scared off by the idea.  Some need questions and some just need the freedom to talk.

My main obstacle is language, culture.  Starting Thursday, there are volunteers who speak languages besides English.  I really need them.  Not for translation, but for people to feel comfortable just approaching me.

The banner I envisioned is still in the works: the banner with “Imagine” in numerous languages, to be as inviting as humanly possible. Is a table at the library entrance too formal?  The longer I sit there, I more I just want to grab my flip camera and walk out to the streets.  just grab people as they walk by me—

How do you imagine your ideal neighborhood?

What do you want from your community?

What do you want for your life?

For your children?

to be continued as we Imagine East Hollywood…………………….

Imagine East Hollywood ~ the beginning!

Posted in Advocacy, Imagine East Hollywood with tags , on October 16, 2009 by cindymariejenkins

Tonight I await my partners in this crazy venture called Imagine East Hollywood.  In short, the East Hollywood Neighborhood Council asked me to collect interviews and present something to the Council in the vein of my project Voices From Chornobyl during the Barnsdall Art Gallery Fluxus Project.  Basically, I collect interviews and make a theatrical installation for the exhibit, so the EHNC can take their agenda from the people.  In a true fluxus spirit, during the installation (Jan-April 2010), museum-goers will be able to leave their own interviews/suggestions/ideas on how to improve their neighborhood.

This kind of work is tricky.  I thought the process of creating a stage piece from a book of interviews was difficult, but conducting the interviews myself is already turning into a huge exercise between objective and subjective reporting.

Yes, I have my own vision of what East Hollywood could be.  From one of our original meetings, however, the President of The East Hollywood Neighborhood Council, David Bell, said that Imagine East Hollywood “will enable the neighborhood council to connect with people in the neighborhood by listening to those peoples’ actual voices. Now, we’re imposing our vision onto this neighborhood instead of deriving our vision from voices in the neighborhood….The story is completely dependent on the real people living in the setting. Ours is the start of the political dialogue in the neighborhood. Starting a political dialogue has been difficult in East Hollywood. …connect the arts and politics in a tangible discussion.  By bringing these two projects together we will cancel out both of the alienating factors (inside of the theater and inside of neighborhood council).”

While planning for Park[ing] Day in late September, the team of people from the East Hollywood Neighborhood Council as well as volunteers engaged in a debate about the purpose of these interviews during Park[ing] Day, specifically.  You can watch the video detailing the Council’s hopes for a park where there is now a light yard here.

In fact, as I type I receive Twitter updates on the Council’s campaign for a park (#EHNC).

Imagine East Hollywood, though, is not about anything the residents don’t bring up.  Let me put that in a more positive (and grammatically correct) light: Imagine East Hollywood is about what the residents WANT it to be about.

The entire title of the project is Imagine East Hollywood: Autobiography of a Neighborhood.  I am not writing it; I will create the piece based on what residents say.  Those who are stakeholders in the neighborhood will give us the story.

I soon will have dates scheduled with the Cahuenga Public Library on Santa Monica near Vermont for conducting interviews, which can be done anonymously or with your name attached.  We seek more public venues and all we need is a table and foot traffic.  All interviews are voluntary.

If you’d rather submit your own video or otherwise answer the question: what would you like your neighborhood council to do?  How would you like your neighborhood to change?  Then simply email us here .  Soon there will be a youtube channel where you can upload your own video as comments.

Want to volunteer?  We’ll need ‘em!  The meeting we had tonight at Sabor y Cultura was completely inspirational and eye-opening.  Some great ideas and considerations for the whole project!  Check back for updates or email and contribute your own interview!

tweetpoem

Posted in Los Angeles with tags on October 12, 2009 by cindymariejenkins

 

What makes it a tweetpoem, you ask? 

It makes sense both backwards and forwards

********************************************

The Irony of L.A.

While cocooned within my station wagon    

And my cell phone tower    

Through my radio signal

Entwining myself with the world at large 

 Made longer by the lagging traffic 

 The Brief Los Angeles Evening

I really can’t complain

Posted in L.A. Theatre Scene, Theater with tags , on October 7, 2009 by cindymariejenkins

Whenever I get that look in my eyes, or hold up my head with my hands, a good friend looks me dead in the eye and says:

“What do you do all day?”

And I have to answer: Theater.  I work in a theater all day.

A major goal of my life accomplished before I turned 30.  Well, okay, right as I turned 30.

As much as I still need to trim back on the numerous projects I am developing, I can only be this proactive and productive because every day, I walk through and work among the Antaeus library.  Every day my main goal is furthering the mission: making classical theater relevant and alive in our community, our lives and our schools.

Every Tuesday and Wednesday nights I am inundated with artists who only want to better their craft, to stretch their classical theater muscles in Los Angeles.

Yeah, I am lucky.

Antaeus allows me the opportunity to learn from the masters, impart my own thoughts and insight, develop my own self as an artist and take risks on programming and audience development.

All that Antaeus demands from me in return is excellence.

Well, okay.  In exchange for more perks than I ever thought possible, all I must do is work in a theater all day.

Done.

Next?

Newest Culture Clash show brings me Peace

Posted in L.A. Theatre Scene with tags , on October 3, 2009 by cindymariejenkins

I just returned from seeing Peace, an adaptation of the Aristophanes play by John Glore, Richard Montoya, Ric Salinas and Herbert Siguenza (the last three being Culture Clash).  Bill Rauch directed at The Getty Villa.

This play restored my faith in theater.

No hyperbole here.

The main ingredients?

*FUN*

*ENTERTAINING*

*SURPRISING*

*GREAT STORYTELLING*

Audience members laughed at different jokes, some jokes bombed, the actors surprised each other and everyone up there had a whole lot of fun.

Yet, within an immersion of plastic penises, blow-up dolls, beetles flying up to Mt. Olympus, I teared up.   I was moved to tears while characters longed for Peace.

Before I had time to think about it, the tables turned again and there was a wrestling match.

With a bear.  Wearing a UCLA t-shirt.

Then Peace arrived again in a completey new form.

My long run of seeing bad theater came to an end.  Not with a bang, but with a pop of a balloon dildo.

A week of weddings…..

Posted in Advocacy with tags on September 22, 2009 by cindymariejenkins

After a week of weddings, I feel even stronger about marriage equality.  I spent 16 hours last weekend at the OUT West Campaign Boot Camp to learn how I could help the fight for marriage equality.  The entire experience completely re-focused my attention on the subject, and then of course, “life set in.”  Other things became a priority, and for a few days I settled back into my life of artist, not activist.

Then my anniversary came.

I found out two great friends are engaged.

Two days later, I witnessed a friends’ wedding ceremony, which included an interpretative dance to “Sweet Child Of Mine.”

Being both part of this great union of marriage and witness to it, I am incredibly struck by how much ’marriage’ really means.  Before I got married, I wasn’t sure that it meant much more than a public declaration of complete devotion.  Before I got married, I wasn’t sure that it really meant more than living together, sharing the highs and lows and working/playing as a team.

We did that already, didn’t we?

The answer, of course, is yes.  My husband and I were already a team.  We were already in it for the long run and were already both great loves and great friends for each other.

Yet the act of marriage meant more to me than I ever thought possible.  It’s deeper than a declaration, more than public devotion.  There is no quantifying the feeling.  There is no logical reasoning.  It means something that cannot be explained or put into a box.

Very often since that OUT West Campaign Boot Camp, I stare at my husband and wonder how it would feel to be told that we CAN’T marry each other: that our love is wrong, evil and we shouldn’t feel this way.

That is why I can no longer separate the artist from the activist.

I don’t tell anyone how to live their life or who to love.  If you believe in this cause, your vote counts.

Your voice counts more.

Talk to people.  Show them this video.  Tell them why you believe in it.  Ask them why they don’t or why they are on the fence.

You don’t have to convince everyone.

Just let your voice be heard.

“Imagine if we just built bridges instead of walls.” -Carlos Ramirez

Our Officiate comes to Visit

Posted in Family, Reflections, Uncategorized with tags , , , on September 16, 2009 by cindymariejenkins

Out of all the possible advice I could give to newly engaged couples — and I have a lot to give — there are three top pieces:

1. The wedding is for you and your future spouse, NO ONE else.

2. Brides should create many collages of their dress before buying/settling on one.

3. Make your Officiate matter.

That last one is today’s topic:  Your Officiate.  Care about them.  Choose someone who cares about you very deeply.  We chose D Scott Ferguson, a musician who toured for a year with my husband, when they became very good friends.  Even though at any point in time, they live 3,000 miles apart, there is a great bond between the two.DScottalone

A couple of months after Dan and I started dating, when it became clear that we were in it for the long haul, there was one step I had to take.  Some people have to meet the family, some people have to pass the best friend test, some people have to love the right movies, and what did I have to do?  Talk about Sondheim with D Scott.

If you know him at all, that’s kind of like talking Sondheim with Sondheim.  But I had proclaimed myself a Sondheim fanatic, so I had to prove myself.  D Scott didn’t demand it, Dan didn’t demand it.  I wanted to.

I believe the response was, “Well, she does seem to know her stuff.”

*Whew!*

A year and a half later, I’m on the phone with him discussing our marriage vows. 

 He sends us examples of what he likes from the typical ones and we find some mix  of the norm along with our own D Scott, then I throw a strange flower/herb ceremony I created into the mix, and D Scott miraculously merges it all into a flowing conversation with our family and friends.

Via his voice alone, we became husband and wife.  We just knew we were going to be fine.  How could you not feel that way, when faced with such a loving man who cared so much about his friends’ happiness, that he became ordained just for this moment, this one time in our lives.

Two days ago Dan chatted with D Scott because he is visiting in December and staying through February!  I have never been happier that Mary Poppins was touring through the Ahmanson–it means three whole months of time with our Officiate.

And today, on the third anniversary of such a wonderful day, I thank him.

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Make No Mistake Part 2

Posted in Advocacy, The Future of American Theatre on September 14, 2009 by cindymariejenkins

And don’t just take my word for it…..

You can engage, or you can be anonymous.

You can go outside your comfort zone and or you can just keep tweeting and hope somebody selects you from the other 1,000 choices they have.

Because at our core, the arts organizations we run are no different then a church, or a grassroots political organization . . . we are only as strong as the people that support us.”

Read the whole entry here: http://www.missionparadox.com/the_mission_paradox_blog/2009/09/organize-mobilize-.html

Make No Mistake

Posted in Advocacy, The Future of American Theatre with tags on September 14, 2009 by cindymariejenkins

Arts Advocacy is a campaign.  It is a long-term effort that we must win.  It cannot be accomplished with online petitions, nor can we expect people to appreciate the value within art simply by the fact that WE find value within it.

“Failure is not an option.  But victory will not be easy.”

–Rome: The Rise and Fall of an Empire

As you may read in my previous post, I spent the weekend at a campaign boot camp.  We spoke of clear messaging and grounds roots canvassing to change people’s minds.  Finding out why people are on the fence on an issue and using that information: using it to find the right message for that specific group of people and the right messenger.

So how do we save the arts?  I suggest the same grass roots approach that the losing side to a ballot initiative campaign would take: a long-term attack which fosters those who already support, researches those who can be persuaded and find the right message to persuade individual demographics.  Those are the easy parts.  Then we must call canvass and use media to further our message.  We must CONVINCE people that arts hold great value and have strong arguments WHY.

Since the goal of the Arts Campaign will not be to win on one specific date, tactics must be altered, of course.  That might be exactly the problem, though; we have no deadline.  The only end date for Arts Advocacy is the inevitable day when no theater can keep their doors open because they failed to foster a new audience.

Maybe we need specific targets at least once a year and larger targets every two years.  Look at audience development long-term vs. purely for each specific six-eight week run of three to four shows a year.

More on this campaign after I research.

OUT West Campaign Boot Camp

Posted in Advocacy, Los Angeles, Reflections with tags on September 13, 2009 by cindymariejenkins

Last weekend I happened upon an event invitation on Facebook.  I rarely look at Facebook invitations in great detail, I do admit.  Facebook is usually where I go to waste time and not necessarily check my calendar.

Completely coincidentally, this was Labor Day weekend and I was having a lazy day.  I read this event invitation in great detail, because I had time.  It came from a group called All or Not at All regarding marriage equality.

Everything lined up: they were offering a boot camp on how to aid the campaign for a ballot initiative on marriage equality, it was in Los Angeles, it was my last free weekend for the rest of 2009 — then came the last item that usually prohibits me from attending such things.  It only cost $11.00 .

All of these factors rarely align in my universe.  I thought about it for five minutes, reviewed the website, the agenda for the weekend, double-checked my schedule, and registered.

The first day did not disappoint.  You can follow my live thoughts here: http://twitter.com/cindymariej

Basically, this boot camp challenges me to put my self where my mouth is.  My husband Dan and I host political events, I certainly support marriage equality, but short of signing an online petition and joining email lists, I have never really done much in the way of doing anything about it.

This boot camp really helps me understand tangible ways that I can help.  I’ll have a full report after the second and last day, but I do believe this experience ushers a new path for me and a clearer path for my art.

The Three C’s: or, Egg-za-what?

Posted in Health, Uncategorized with tags on September 7, 2009 by cindymariejenkins

WARNING: The following entry contains some disturbing images.

I had always had some form of eczema, which is basically a highly irritable skin inflammation.  The year I graduated from college, though, it was so bad for so long that by New Year’s Eve I had to wear sunglasses.

In New York.

Because I had woken up one morning to a brand-new area of irritation, and looked like a red raccoon.  I could barely close my eyes (read: blink) because that caused the creases to uncrease and get irritated all over again.

And itchy.  It itched so much that I felt like a scratching addict.  If I had thought there were other people like me, I would have started Scratcher’s Anonymous.  I know what you non-eczema sufferers think: just don’t scratch.  Don’t do it.  Do whatever it takes.  Wear socks to bed.  (That actually makes the scratching better.)  Withhold.  (Have you ever taken a lit cigarette away from a smoker?)

Here’s the problem and the irony:  The sensation of scratching, even –especially– when it drew blood, felt so good.  It feels great.  I mean, it was better than anything.

So here I am, at a party in Brooklyn with frickin’ sunglasses on, and it’s because my eyes look like a cheese grater ran over them.  At this point the ezcema was bad for a few months, and all due to stress.  I wore turtlenecks to hide my neck, wrapped gauze bandages around my knees and elbows (it’s always worse where there is a crease), and had so many random spots all over myself that I know for a fact that more of my body was irritated than was healthy.

It hadn’t been that bad since I was three.  Eighteen years before this New Year’s Eve.

The hardest part is that no one understood.  I didn’t know anyone who had even heard of it.  I could barely spell it.  When I went to the clinic at my temp job downtown, the doctor was no help.  He just told me that alcohol irritated it and I should stop drinking and smoking (I was indulging in both pretty heavily at that time).  He knew what could cause it, but had no idea how to fix it.

At a particularly difficult time that January, I had gotten so bad that I simply couldn’t stop scratching ever.  And I didn’t care.  My skin looked so bad that I just didn’t care anymore.  I had to scratch, had to feel the skin opening under my nails.  Most of my clothes had blood spots on them.  It was an addiction, a burden, my secret, what kept me from going on a date or opening up to anyone.  I would go into public restrooms and wait impatiently, burning, until I was alone in my stall, and then I would scratch.  I would wear loose pants so I could get anywhere I wanted.  I would tear off restrictive clothing so I could get to that area that eluded me.  I would focus on one spot until I was nearly out of breath and then another itch would just — be– out of– reach.  I used my clothes to get a deeper burn.  I wasn’t happy until flakes fell at my feet.  My right hand was deformed, curled up into a claw shape because it was so dry and my fingers couldn’t stand to rub against one another.

It was horrible.  It was uncomfortable to sit, uncomfortable to stand, everything I did seemed to make it worse.  I couldn’t sleep.  Everything my skin touched made me want to either scratch or scream.  It was my evil secret, because no one knew what I would describe.

“Egg-za-what?”

Until a director I was assisting (still in New York) saw me scratching and saw how I acted differently than just a few months before, when we’d worked on another project together.  I opened up to her, showed her my arms and my neck, and without provocation just started crying.  She suggested I go talk to an actress in the show.  This actress, she suffered from eczema and used to be as bad as me.

I nearly ran down the stairs.  I didn’t say anything to this girl.  I just showed her.  She looked at me and said, “Scratching is better than an orgasm, isn’t it?”  I tearfully nodded yes.  “The main think you have to do,” she suggested, “is relax.”

As all the reasons why that was impossible careened into my brain, she went on:

“The three C’s,” She said.  “Cortizone, Chamomile and Cotton.  Wear nothing but cotton against your skin.  It’s non-irritable.  Go to any drug store and buy Cortizone.  The gel form is great and suppresses the need to itch.  Drink chamomile tea before you go to bed.  Refrigerate the tea bags and put them onto your skin if you feel the urge–that need–to scratch.  Chamomile itself is a natural itch suppressant.”

It seemed so simple.  I got out of rehearsal and ran to the drug store to buy Cortizone, ran to the grocery store to buy Chamomile.  I ran to the train and my ride was longer than it had ever felt before that afternoon.

It worked.  I was so worried that the Cortizone would burn, but it went onto my wounds like salve.  I overused it that day.  I drank a lot of tea and soon realized that chamomile made you sleepy, as well.  I threw out all the main clothing pieces I owned that weren’t made out of cotton.  I became conscious of my habits that inflamed my skin and stayed away from those that hurt it.  I started wearing clothes that showed me off again.  I no longer worried what might happen when a guy went from touching skin to scales.  It was amazing.  That was ten years ago.

My eczema still flares up every now and then, mostly when it’s very hot or I am not drinking enough water.  I am aware of it, though, so it’s easy to control.  The same rules apply: just go back to The Three C’s.

If I hadn’t been able to talk to that one person that day, my suffering would have continued until who knows when.  Talking to her outside of rehearsal burns so brightly in my memory that if I ever see her again, I would just have to hug her.  Pass on the advice: The Three C’s!

Dreaming about Macbeth

Posted in L.A. Theatre Scene, Macbeth RE-EXplore, Reflections, The Future of American Theatre, Uncategorized with tags , on September 3, 2009 by cindymariejenkins

Need I say more?  I’m beginning to dream of rehearsal—mostly the incredibly sick feeling I get in my stomach before a rehearsal.  The release of any real ‘plan’ and channeling the Shakespeare Zen inside me that will let it flow.

Macbeth RE-EX in the Park

Macbeth RE-EX in the Park

OK, enough new age speak.

Even though it is true………the days we have been the most successful are the ones when the energy of the ensemble dictate our direction.  When I adjust our goals based on what I feel they feel.  When I truly give up the idea that a “Director” must have all the answers and must be the one speaking most of the time.

Truth be told, this Macbeth RE-EX workshop is really just an extension of how I normally run rehearsals–except I have no time restraints.  The Porter rehearsal we run entirely based in sound effects, the Macduff/Malcolm then Hecate/3 Witches is over beer and bruschetta and coffee at an outdoor cafe, in the park we were all a little distracted but when it came down to working the scene, everyone just clinched the focus needed.  They just found it.  They had it.  They allowed everything around us to inform our next choice in rehearsal and with each other.  We completely disagreed and ranted a bit.  We had a rowdy dinner party while Macbeth went from seeming a little too drunk to downright crazy in front of our eyes.   Then the quiet came with Lady MacDuff and no one uttered a word.  The poor child of MacDuff was left on the floor of their nest/cage, a place I had always seen as a deep hole in the ground from where Lady MacDuff just stared up at the world, a bit like a hole burrowed into the earth for safekeeping, but where creatures are actually just sitting ducks.

And so I dream about it.  And wish we had more than one or two rehearsals a month.

But then, the time within the process is more enriching than any other I have experienced.

You know your own degrees; sit down.
At first and last, the hearty welcome.

Imagine East Hollywood

Posted in Imagine East Hollywood, L.A. Theatre Scene, The Future of American Theatre with tags , on September 3, 2009 by cindymariejenkins

IMAGINE EAST HOLLYWOOD:
Autobiography of a Neighborhood

IMAGINE EAST HOLLYWOOD will connect the neighborhood council with the people who live there, thus narrowing the focus of the neighborhood council by going to directly to the source. Now, some members feel they are imposing their vision onto this neighborhood instead of deriving their vision from voices within the neighborhood.

The East Hollywood Neighborhood Council has invited me, a freelance theater director & playwright, to participate in a lengthy partnership that would regularly culminate in opening the council’s doors to a symposium with the people-and specifically children-who live there.

EHNC invited myself and my collaborators after seeing VOICES FROM CHORNOBYL, a play that has been running in various locations in Los Angeles since early 2006—the piece breathes life into real peoples’ stories in an accessible way to any audience. It creates a narrative out of transcripts of about fifty interviews and creates a cohesive story.

Why is it such a powerful experience? The key is that the play is taken from actual words from real people – derived from the experiences of witnesses to the event. We will use a similar process to creating VOICES FROM CHORNOBYL in East Hollywood and share our work and transcripts with the Easy Hollywood Neighborhood Council.

The Fluxus show at Barnsdall would jumpstart this long term project that shows how art can change your part of the world, your neighborhood. Part of the reason that art is dying in low to middle income neighborhoods is because it loses relevance. Using art as an agent of change will not only fling open many doors to the community’s governing bodies, but also bring the neighborhood to the exhibit and in many cases serve as a resident’s first introduction to live art. We believe this first experience will stick because instead of art reflecting life, it is art integrated with life.

How will this all happen?

We will put out all the web media and let people take it in any direction they want. We will present a series of questions and various methods of submitting your answers—school essay and art contests, teaming up with local filmmakers to do “Man on the street” interviews, facebook posts/pictures/videos. Residents can submit a song, a poem, a picture, essay, blogging—we will partner with local businesses for open mic nights and schoolteachers to be sure the students are represented. The only restriction is that you must be currently living in East Hollywood.

An idea of the questions to springboard submissions would be:

~What do you see when you look outside your windows?
~If you could have anything in the world, what would you want in your neighborhood?
~How would you like your neighborhood to change?

This will give the East Hollywood Neighborhood Council a beginning database for focusing our neighborhood’s vision.

Through IMAGINE EAST HOLLYWOOD, we will hand the story-the plot of the neighborhood’s improvements-to the people living in the settings. Starting a political dialogue has been difficult in East Hollywood; a major challenge to the neighborhood council is bridging the gap between residents and their government, where they can have a voice. A major challenge to live art is relevance–creating an environment in which anyone can participate and understand the different avenues through which they can channel their voice. We feel it is an ideal match.

Journey through my past thirty years–in ‘things’

Posted in Family, clutter-clearing with tags , , , , , , , , , , on September 3, 2009 by cindymariejenkins

….via two large boxes from home.

She warned me.  My mother sent an email after shipping off two boxes of  things she ‘would have scrapbooked but obviously won’t get to,” — the next logical conclusion was that I would want all of these ‘things.’

First of all, kudos to Mom for clutter-clearing!  Especially these ‘things’: papers of all kinds. These ‘things’ are usually the fire fodder kept in damp boxes and only opened when people consider what to do with them; too often they just get re-boxed, and perhaps labeled in a different way.

Box #1:  my first twenty years: report cards, reports, essays, My Sacrament of the Eucharist workbook, the letters my godparents wrote so they could become my godparents, pictures of people I never care to see again, programs of old plays—really, quite a load of ‘things’ that I narrowed down to one little pile to keep.  Mostly of baby things and my high school yearbook.

The interesting bits from box #1: how my godfather feels about religion (in that letter to prove he was worthy of being my godparent), the interim reports that said I would have a better grade if I did my homework or showed up for quizzes (then showed an A- average), the very conspicuously missing picture in my Eucharist workbook when they asked for a drawing of me talking to God, but the most interesting thing had to do with my high school yearbook.

I KNOW where most people are now.  It’s impossible not to; I know about my high school  acquaintance’s kids through facebook; I know their professions through LinkedIn; I know their dirty secrets through myspace and their utterly dreary thoughts through Twitter.

Even stranger, the closer I was to someone in my high school years (with one exception), the less I knew about them.  People for whom I occupied my house’s ONE phone line (remember those days) for hours–well, we weren’t even friends on facebook!  How can that be?

Perhaps for the same reason why I threw out their love notes and prom pictures without a thought.

Lesson learned from Box #1: It’s OK to block more people’s status updates on my news feeds and thank Lord I haven’t spoken to some others in years.

Now on to Box #2:

Papers.  A tour through my twenties via play programs.  Most I tossed without a thought.  I did appreciate the care with which my mother had stored them.  But they just felt like weight dragging me down–old ideas, old mild successes and some pretty large failures, lots of pieces with great memories but the work itself only served to push me into a different place artistically.  Or discover a place which I didn’t care to explore again.   Which is why they all went into the trash.

Things I kept from Box #2: a baby picture, my actual birth certificate and the program from a Macbeth production I had JUST spoken of two weeks ago.

Clutter-clearing Tip from this Experience: ALWAYS clear your clutter on trash nights.  Have the trash cans already out on the curb, if possible.  Then there’s no turning back and it’s much more of a clean slate.

And if you DO miss that dear friend to whom you haven’t spoken in years, just search for them on facebook.

My mother taught me……..

Posted in Family, Reflections with tags , , , , , , on August 11, 2009 by cindymariejenkins

In honor of my mother’s birthday (go, Leos!), I am listing many things I believe she taught me.  There is no way to make this list all-encompassing.  I simply want to show my appreciation.  Here goes!

My mother taught me………..

1. I am beautiful.

2. If you’re going to do something, you really should do it as well as you can.  It’s not really worth doing otherwise.

3. Directing a play starts with making it an arts and crafts project (if you’ve ever seen my index cards, then you’ll understand this!)

4. If you say something behind someone’s back, be prepared to say it to their face.  Don’t back down about it, either – they probably need to hear it.

5. When you need to re-organize yourself or feel out of control, buy a new planner or a new bag.  Take the time to really clean out the old planner/bag and make the new one work the way you need it to work for this next stage of life.  Amazing how satisfying it will be.

6. Friends are important, but sometimes there are friends to let go.

7. Everyone needs their “time”: sometimes you should throw a party just to celebrate someone’s life.

8. Give gifts that people might actually enjoy.

9. When you like an author, immediately read everything they ever wrote.  Very satisfying.

10. Alone time. It’s important.

You can't see me, but I'm there!

You can't see me, but I'm there!

11. Lions are beautiful.

12. Sometimes you just want to sit back and watch a week’s worth of General Hospital.

13. Gift shops are the best part of museums.  You want to take a piece of art home with you.

14. Sisters are special.

15. Psychic bonds exist.

16. You don’t always have to understand your spouse, but you should always appreciate them.

17. Sometimes you just need a good haircut.

18. A good story is invaluable.

19. If you feel like you need to go outside and take a walk before reacting to something, you should do it.

20. If you feel like you need a hug, you should go for it.

21. Questioning faith just means you are thinking about it. Don’t be afraid of it — the questioning or the faith.

22. Obstacles just mean you have to get more creative.

23. Follow through on promises.

24. Don’t be afraid of what you write.  However it comes out is how it was meant.

25. When friends you have let go come back into your life, accept them and hold no grudges.

I’m sure there is more, but you get the idea.   My mother gave me the courage to follow what I believed and the encouragement even when she did not understand.
Happy Birthday!  Sorry I can’t be there.

Your Daughter

As I Like It

Posted in Uncategorized with tags , , , , on August 9, 2009 by cindymariejenkins

Sometimes I lose sight of how lucky I am to work at The Antaeus Company. Instead of spending my Sunday watching RSC televised versions of Shakespeare, I get to go to a theater and hear seasoned, skilled Shakespearean actors speak the text. Devon Sorvari and Tamara Krinksy initiated this reading, and chose such a great ensemble. It only confirms what my husband and I spent the morning discussing: Shakespeare is meant to be heard, not read, and it’s always better live.

As You Like It; down & dirty reading at Antaeus

As You Like It; down & dirty reading at Antaeus

Locking the door during the lesson

Posted in Prophetic Chickens, Reflections, Travel with tags , , , , , , , , , , , , , , , , , , on July 15, 2009 by cindymariejenkins

I just finished a grant.  But that’s not what this post is about.

The grant made me think about 1999, when I traveled through Romania, Bulgaria and Croatia to study theater.

To say it changed my life is the epitomy of minimization.

But I was really thinking about this woman on the plane.  Direct lift from my diary:

Wed., 5/26 (continued)

I’m on the plane now and sitting in between two of the most interesting people I’ve ever met.  The gentleman to my right is a native Argentinain, though he claims that Buenos Aires is the most European of all the Americas — North, Central & South.  He started learning languages at the age of four, and now knows five.  He teaches at a university in Germany (I think) and is disgusted that when he enters the amphitheatre (his word) that the students do not say “Good morning” back to him.  The three of us got into a heated discussion about how you really cannot blame the children today for their actions.  When the only examples they have of life come from music, TV, video games, etc., where else can they turn to?  He said that they need a family, and gangs provide that sense of family.

The woman–goodness, I don’t even know her name–and I have been chatting for a good portion of the three hours of the flight so far.  She is from Germany originally, but has spent forty-one years in the U.S.  Her father was a German colonel, and the only way she could rebel was to marry an American GI.  But he charmed her father, so it didn’t end up being much of a rebellion.  She had a self-professed American fetish.  When she learned English in school, her teacher hated her work, because she snuck in listening to American radio.  So when she was called on in her English class, she would use American slang.  Now her teacher was an Oxford graduate and he would get sooooo angry that she was slandering the English language.  The other children loved it, and egged her on.  But the teacher couldn’t give her a bad grade, because she did know her English.

So she married this GI who was quite a charmer–which led to their eventual divorce, actually [from me in 2009: Ah, the hindsight, if only I had paid attention] and he was stationed in Florida, then Mississippi.  Man, oh man, did she hate that place.  Besides the constants bugs and gators, what she really despised was the blatant racism.  She would be walking down the street, and a white man was in front of her, also walking.  An 80 year-old woman coming the other way, who was black, had to get off the sidewalk and walk in the street.  She would apparently go home raving.  They only lived in Mississippi from January until June, when they were then stationed in Illinois (two hours outside of Chicago), her husband would joke that he had to get her out of there because she wouldn’t keep her mouth shut.

Then she said that the US had just held the Nuremberg Trials at this time.  All she could think was: take care of your own problems.

When she talked about how important it was to vote, she discussed how Hitler got into power because no educated person took him seriously.  She believes (as do many) that Hitler fed off the cultural discontent started by Versailles.

Many people have asked her how could you (the German people) have “let the Holocaust happen?  Didn’t she know what was going on?” And she had to say no.  “You Americans, born and raised,” she said, “don’t understand what it’s like to live under a dictator.  As many problems as it has, democracy is still the best government around.  But dictators….well, no, we had no idea what was happening.  We didn’t know what was going on until bombs started to drop.  And I don’t know why they only talk about the Jews who were killed.  Anyone who spoke up–priests, men, anybody — were hung from the nearest tree.  And that’s when the people started realizing how many trainloads of people were being taken away.  And then I was eleven years-old when the war was over.  Our teachers were ordered to teach the children collective guilt.  We were all, every single German alive, responsible for what happened.”

When I asked her how they could teach that, she answered, “That’s what they were told to teach [I assume as part of the terms of ending WWII] : collective guilt.  One of my history teachers, though–he would lock the door during his lessons and explain in more detail.”

I raise my glass to teachers never having to lock the door–to the flawed but great democracy in which we live.

Except it’s really a republic, not a democracy.

But I suppose that’s a blog post for another day.

This blog has taken the day off.

Posted in L.A. Theatre Scene, Los Angeles, Prophetic Chickens, Reflections with tags on July 14, 2009 by cindymariejenkins

Due to a lack of coherent sentences.

Richard II Quote Found During my Kings of England Odyssey

Posted in Uncategorized on July 13, 2009 by cindymariejenkins

How long a time lies in one little word! Four lagging winters and four wanton springs End in a word: such is the breath of kings. Richard II, 1. 3

I would love to collect more quotes on being a King.  Ideas?  Suggestions?